Tauceti - Q&A on the new release with Semantica with photos by KEYI Studio

Facing Herself In The Bathroom Mirror is a majestic immersive exploration into the depths of modern techno together we sat down with Tauceti.

Produced with rare elegance and through titles such as « Black Rimel » and « Disto Lipstick », Tauceti fuses striking rhythms with ethereal electronic textures, creating an atmosphere that is both dark and captivating.

The deep bass pulsations and the haunting melodies transport the listener into an esoteric space. « Facing Herself In The Bathroom Mirror » is more than just a techno EP; it’s a bold exploration of themes of vulnerability and authenticity.

Hey Lilou, how’s everything going? Congrats on the new release with Semantica! Could you start by introducing yourself? We also work on the photo shoot, and we’re excited to premiere it alongside the release.

Hello! A big thank you for this interview and for the moments we shared together in Berlin at the studio.—it’s been exciting. And also, thank you for the EP! To introduce myself briefly: my name is Lilou, I’m 25 years old, and I live in Lyon. I’m an electronic music producer, and I’ve been living off my passion for some time now, which makes me really happy.

As for my release on Semantica, everything went very smoothly and naturally. In fact, it was really my goal to release it on Svreca’s label, which is one of my favorites. I sent him a message to ask if he’d be open to receiving my demos (I always prefer to send this kind of message first—it feels more personal than just sending demos directly via email). He replied that he was actually planning to reach out to me for demos for his label because he had liked my EP on 47 (Tommy Four Seven’s label). I was like, wow, that’s amazing!

Your recent EP Facing Herself in the Bathroom Mirror has just been released. Could you tell us a bit more about the creative process behind it? You’ve produced six solid tracks, and we really love the way they blend together. How do you typically approach blending tracks for an EP? What’s your usual production workflow?

“Facing Herself in the Bathroom Mirror” is a project deeply rooted in the idea of duality and contrast. My ambition was to create a dialogue between two dimensions of techno: one that is raw, percussive, and visceral, which forms its fundamental essence, and another that is more subtle and refined. My EP is the result of this tension, where I aimed to infuse a new sensitivity into a genre often known for its austerity.

My creative process began with a focus on textures and atmospheres. I wanted each track to evoke a specific, immersive, and hypnotic mood while never losing sight of the raw, direct energy that defines techno. To achieve this, I used a combination of analog and digital synthesis (designed specifically for this EP) while incorporating meticulously crafted, almost sculpted sound effects to give them an organic quality.

This EP is an attempt to bring a more sensitive and delicate dimension to techno.

To answer your question, I generally pay close attention to how sounds interact and transform. Each track is designed as a standalone entity, but they all fit into a broader narrative because I always aim to tell a story through my EPs. Creating this effect takes time: I produce almost every day, dedicating around 3 to 4 hours per session.

What’s the story behind the EP’s title?

The title “Facing Herself in the Bathroom Mirror” refers to the image of a woman getting ready before going out, standing in her bathroom. The tracks of the EP—such as “Black Rimel,” “Pearl Necklace,” “Scarpins,” “Disto Lipstick,” “A Ghost in My Skirt,” and “Sapphire”—each illustrate different aspects of this preparation. Each track represents a step in the transformation, from applying makeup to putting on accessories. These titles also reinforce the connection between the delicate dimension of the EP and my creative process.

You and Tony Noël created the artwork for the release. Do you plan to be more involved in the visual part? We also recently did a photo shoot together, which we’re premiering alongside the release. What are your thoughts on the role of visuals in connection with music?

Yes, I think it’s crucial for me to become more involved in the visual aspect, although this always depends on the context and the specific project. The artistic and visual work is an integral part of the essence of techno, especially through album or record covers. It’s clear that this deserves our full attention. Collaborating with artists from other fields is also essential. Creating an image that reflects the music is, in my opinion, one of the most challenging yet most beautiful exercises in this scene.

For my EP, I had the opportunity to work on personal artwork, and it felt like the obvious choice. I place increasing importance on the authenticity and personal nature of my musical projects. I now feel the need to create a universe where every element reflects who I truly am, and the visual aspect is an integral part of this process.

I am also deeply passionate about various forms of artistic expression, whether it’s painting, photography, fashion, or other mediums. So, when I have the opportunity to bring together the things I love and enhance the coherence of the work, I take it.

What is the future for Tauceti?

For my future, I’m really excited to see the release of my ambient album on Denovali, as well as my two confirmed techno EPs on vinyl for 2025. Looking further ahead, my main goal is to keep evolving musically by offering even more personal and introspective releases. I want to create music that truly reflects who I am. I’m also deeply passionate about cinema, and my dream has always been to create music for films. Cinema has always been a part of my life, and it’s something I’d love to explore more, if the opportunity arises. My vision for the future is to continue producing a lot of music, to keep performing and DJing around the world, while also making time for my personal music projects. I want to keep pushing myself creatively, while also making space for my passions and personal dreams, especially in the field of film scoring.