February in Berlin usually means grey pavements and black coats. So when guests arrived at Liquidrom wrapped in chrome, lace, and bathrobes—some barefoot, others clutching slippers. It was clear this was no ordinary fashion week evening.  #DAMUR treated Liquidrom not as a backdrop but as an extension of the collection’s concept. In a city where fashion events often compete by adding more, more volume, more visuals, more velocity, AW26 stood out by subtracting: creating space for clothing to interact with the body and the environment in real conditions.
The poolside runway unfolded in three chapters: Super-Human, Super-Athlete, Super-Cyborg. Moving from hush and humidity to sharper tension and metallic propulsion. The collection translated a Spa’s tension, heat, humidity and exposure into a wardrobe language built on cut-outs and body mapping. Skin wasn’t revealed for shock; it was designed: openings placed like punctuation, framing the torso and limbs with intention and guiding the eye across the body as the models moved along the pool.
Across the three chapters, the looks played with contrast: streetwear tailoring against softness, discipline against release, and oversized volumes cutting against tight, close-to-body pieces. Knit and jersey elements brought tension and stretch—hugging, flexing, responding—while coated surfaces delivered sharper signals, catching light like wet skin under the dome. The result read as high-end streetwear re-engineered for a spa environment: functional, sensual, and relentlessly physical.
The dress code for the show felt like a social script. Silver, chrome, soft lace, lingerie. This brought the audience closer to the collection. It wasn’t something you watched from the outside but something you experienced.
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34th issue of KEYI MAGAZINE with JEFF MILLS on the cover
